When Apple TV+ was unveiled earlier this year, Apple positioned the video subscription service as “the new home for the world’s most celebrated creative artists.” One of the first projects ordered was Dickinson, a quirky series loosely based on the writings and...
Demi Moore returns to the big screen in Corporate Animals, playing Lucy, an insufferable CEO of a struggling startup aimed at millennials. In her infinite wisdom, Lucy takes her staff, led by her long-suffering assistants Jess (Jessica Williams) and Freddie...
Tune in to the final installment of Amazon’s Transparent. The series’ Emmy® Award-winning creator Jill Soloway takes the show’s end run in a new direction – by concluding with a movie-length musical. Transparent’s DP Jim Frohna has worked with Light Iron Colorist...
Post Facility Also Expands Footprint to Accommodate Growing Business LOS ANGELES (July 8, 2019) – Light Iron, a Panavision company, is excited to announce that award-winning colorist Scott Klein will be joining the company in July. As supervising colorist of numerous...
Company Launches LINK HDR, a Revolutionary New System that Empowers Creatives to View Content in HDR Throughout the Imaging Chain DXL-M Expands the DXL2 Ecosystem, Meeting Production Needs for any Shooting Scenario LCND Now has Expanded Features Including Wireless...
Award Contenders Enlist Light Iron for Post Services; Popular Series Utilize Facilities Across North America
Light Iron, a Panavision company specializing in post production services, is again playing an important collaborative role with notable episodic series this season.
Light Iron, a Panavision company, has announced Jeremy Sawyer’s return to its Los Angeles facility as a senior colorist.
Learn more about the artistic choices made by cinematographer Abe Martinez and his seamless collaboration with multiple Light Iron offices across the country.
Over 25 buzzworthy titles in the 2019 Sundance Lineup entrusted Panavision and Light Iron for camera, lens, and finishing expertise.
M. David Mullen, ASC discusses his creative and technical approach for crafting the look of The Marvelous Mrs. Maisel.
Light Iron LA welcomes Senior Colorist Nicholas Hasson to the team during a time of high-profile streaming releases.
StudioDaily’s Exceptional Women hail from all corners of the media industry, from creatives and craftspeople to executives and engineers.
IBC365 asks Senior Colorist Corinne Bogdanowicz about her experiences grading in HDR.
Post Perspective chats with Light Iron Co-Founder Katie Fellion about the rising demand for HDR finishing, and the robust tools and storage it requires.
SVP of Innovation Michael Cioni talks with James Mathers about large format cinematography and AI in post production.
Director of Marketing Laura Pursley stops by Post TV at NAB to give the latest scoop on Light Iron’s expansion and DXL2.
Broadcast Beat shares the speaking and demo schedule for Light Iron and Panavision representatives at this industry-leading conference.
American Cinematographer covers Light Iron’s Georgia expansion.
Post Magazine interviews Light Iron’s VP of Engineering, Jeff Sengpiehl, on the complex storage solutions needed to accommodate feature and episodic clients across six facilities.
Pro Video Coalition spotlights “The Beauty of 8K Large Format” at SXSW 2018, presented by Light Iron New York’s Senior Colorist Sean Dunckley and Panavision’s Dan Sasaki and Aaron Kroger.