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Family Ties

Family Ties

Light Iron Senior Colorist Sam Daley offers insights into the grading process for the HBO series Succession. The third season of the hit HBO series Succession recently premiered, rewarding fans’ anticipation and continuing to chart the internecine conflicts of the Roy...

Royal Trimmings

Royal Trimmings

Cinematographer Joe “Jody” Williams and director Craig Brewer partner with Panavision and Light Iron to take audiences back to Zamunda in the sequel Coming 2 America. Arriving in movie theaters in the summer of 1988, Coming to America starred Eddie Murphy as Prince...

The Main Event

The Main Event

Tami Reiker, ASC and Light Iron supervising colorist Ian Vertovec detail their collaboration on director Regina King’s feature One Night in Miami… On Feb. 25, 1964, Cassius Clay defeated Sonny Liston at the Convention Hall in Miami, Fla., to become boxing’s...

Holiday Adventure

Holiday Adventure

Don Burgess, ASC and Light Iron’s Corinne Bogdanowicz reteam for The Christmas Chronicles: Part Two and discuss their longtime collaboration in the panel discussion “Cinematography From Set to Screen.” Continuing the story of “true believer” Kate Pierce (Darby Camp)...

Beacons of Hope

Beacons of Hope

Director Julia Swain, cinematographer Teodora Totoiu, and colorist Corinne Bogdanowicz shine a light on the documentary Lady Cameraman’s journey to the screen. “Cinematography has truly saved my life,” director of photography Julia Swain says in the opening minutes of...

Picturing a More Perfect Union

Picturing a More Perfect Union

Cinematographer Christian Sprenger and Light Iron supervising colorist Steven Bodner collaborate to bring Heidi Schreck’s play What the Constitution Means to Me to the screen. Mixing personal biography and family history with the political and social sciences, Heidi...

The Color of Paradise

The Color of Paradise

Stephan Pehrsson, BSC shoots on DXL2 and partners with Light Iron to realize the vibrant visuals of the series Utopia. The comic book Dystopia tells the story of Jessica Hyde, a young girl on the run from the evil Mr. Rabbit, who holds Jessica’s scientist father...

Moral History

Moral History

The filmmakers behind Yes, God, Yes recount their journey to bring the feature to fruition. In the early aughts, in a small Iowa town, Alice — a student at the local Catholic high school — enjoys watching Titanic and testing her knowledge of movie titles with word...

Through Her Lens

Through Her Lens

Made In Her Image and Panavision partner for a virtual roundtable spotlighting women filmmakers of color. On July 14, Made In Her Image, Panavision, Light Iron and LEE Filters presented the virtual roundtable discussion “Through Her Lens: Creating a Truly Inclusive...

Infinite Jest

Infinite Jest

Cinematographer Quyen Tran employs T Series optics and reteams with colorist Ethan Schwartz for the existential time-loop comedy ‘Palm Springs.’

Detective Story

Detective Story

Patrick Cady, ASC details the procedures he and his collaborators — including Light Iron Supervising Colorist Scott Klein — followed to take Bosch Season 6 from prep through post.

Golden-Hour Sci-Fi

Golden-Hour Sci-Fi

Jeff Cronenweth, ASC employs Panavision’s DXL2 and large-format optics, and reteams with Light Iron supervising colorist Ian Vertovec, to lend a sense of nostalgia to the twilight-lit landscapes of Tales From the Loop.

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