News
The Color of Paradise
Stephan Pehrsson, BSC shoots on DXL2 and partners with Light Iron to realize the vibrant visuals of the series Utopia. The comic book Dystopia tells the story of Jessica Hyde, a young girl on the run from the evil Mr. Rabbit, who holds Jessica’s scientist father...
Moral History
The filmmakers behind Yes, God, Yes recount their journey to bring the feature to fruition. In the early aughts, in a small Iowa town, Alice — a student at the local Catholic high school — enjoys watching Titanic and testing her knowledge of movie titles with word...
Through Her Lens
Made In Her Image and Panavision partner for a virtual roundtable spotlighting women filmmakers of color. On July 14, Made In Her Image, Panavision, Light Iron and LEE Filters presented the virtual roundtable discussion “Through Her Lens: Creating a Truly Inclusive...
Infinite Jest
Cinematographer Quyen Tran employs T Series optics and reteams with colorist Ethan Schwartz for the existential time-loop comedy ‘Palm Springs.’
Detective Story
Patrick Cady, ASC details the procedures he and his collaborators — including Light Iron Supervising Colorist Scott Klein — followed to take Bosch Season 6 from prep through post.
Golden-Hour Sci-Fi
Jeff Cronenweth, ASC employs Panavision’s DXL2 and large-format optics, and reteams with Light Iron supervising colorist Ian Vertovec, to lend a sense of nostalgia to the twilight-lit landscapes of Tales From the Loop.
Fact-finding in the Sunshine
John Conroy, ISC helps transport Showtime’s horror franchise Penny Dreadful to a new period and location with Penny Dreadful: City of Angels
Smart Solutions for Quibi’s Dummy
Panavision and Light Iron help DP Catherine Goldschmidt pioneer a pipeline for Dummy, a made-for-mobile production requiring both 16:9 and 9:16 framing.
“Success is Counted Sweetest”: Tim Orr on Shooting Dickinson for Apple TV+
When Apple TV+ was unveiled earlier this year, Apple positioned the video subscription service as “the new home for the world’s most celebrated creative artists.” One of the first projects ordered was Dickinson, a quirky series loosely based on the writings and...
Visuals for Corporate Animals Reach Savage Heights
Demi Moore returns to the big screen in Corporate Animals, playing Lucy, an insufferable CEO of a struggling startup aimed at millennials. In her infinite wisdom, Lucy takes her staff, led by her long-suffering assistants Jess (Jessica Williams) and Freddie...
Colorist Corinne Bogdanowicz Sees Through Transparent
Tune in to the final installment of Amazon’s Transparent. The series’ Emmy® Award-winning creator Jill Soloway takes the show’s end run in a new direction – by concluding with a movie-length musical. Transparent’s DP Jim Frohna has worked with Light Iron Colorist...
Light Iron Enlists Renowned Industry Colorist Scott Klein
Post Facility Also Expands Footprint to Accommodate Growing Business LOS ANGELES (July 8, 2019) – Light Iron, a Panavision company, is excited to announce that award-winning colorist Scott Klein will be joining the company in July. As supervising colorist of numerous...
Panavision’s Camera-to-Finish Imaging Ecosystem Featured at Cine Gear 2019
Company Launches LINK HDR, a Revolutionary New System that Empowers Creatives to View Content in HDR Throughout the Imaging Chain DXL-M Expands the DXL2 Ecosystem, Meeting Production Needs for any Shooting Scenario LCND Now has Expanded Features Including Wireless...
Award Contenders Enlist Light Iron for Post Services; Popular Series Utilize Facilities Across North America
Light Iron, a Panavision company specializing in post production services, is again playing an important collaborative role with notable episodic series this season.
Colorist Jeremy Sawyer Heads to Light Iron
Light Iron, a Panavision company, has announced Jeremy Sawyer’s return to its Los Angeles facility as a senior colorist.
The Chi: Bringing Life on the Street Closer to Home
Learn more about the artistic choices made by cinematographer Abe Martinez and his seamless collaboration with multiple Light Iron offices across the country.
Sundance Filmmakers Turn to Panavision for Production and Post Services
Over 25 buzzworthy titles in the 2019 Sundance Lineup entrusted Panavision and Light Iron for camera, lens, and finishing expertise.
Making Mrs. Maisel Look Marvelous
M. David Mullen, ASC discusses his creative and technical approach for crafting the look of The Marvelous Mrs. Maisel.
Senior Colorist Nicholas Hasson Joins Light Iron’s LA Team
Light Iron LA welcomes Senior Colorist Nicholas Hasson to the team during a time of high-profile streaming releases.
Exceptional Women in Production & Post 2018
StudioDaily’s Exceptional Women hail from all corners of the media industry, from creatives and craftspeople to executives and engineers.
