News
Sundance Filmmakers Turn to Panavision for Production and Post Services
Over 25 buzzworthy titles in the 2019 Sundance Lineup entrusted Panavision and Light Iron for camera, lens, and finishing expertise.
Making Mrs. Maisel Look Marvelous
M. David Mullen, ASC discusses his creative and technical approach for crafting the look of The Marvelous Mrs. Maisel.
Senior Colorist Nicholas Hasson Joins Light Iron’s LA Team
Light Iron LA welcomes Senior Colorist Nicholas Hasson to the team during a time of high-profile streaming releases.
Exceptional Women in Production & Post 2018
StudioDaily’s Exceptional Women hail from all corners of the media industry, from creatives and craftspeople to executives and engineers.
Making the Grade in HDR
IBC365 asks Senior Colorist Corinne Bogdanowicz about her experiences grading in HDR.
Understanding and Partnering on HDR Workflows
Post Perspective chats with Light Iron Co-Founder Katie Fellion about the rising demand for HDR finishing, and the robust tools and storage it requires.
Digital Cinema Society at Cine Gear Expo 2018: Panavision & Light Iron
SVP of Innovation Michael Cioni talks with James Mathers about large format cinematography and AI in post production.
Post TV at NAB 2018: Light Iron
Director of Marketing Laura Pursley stops by Post TV at NAB to give the latest scoop on Light Iron’s expansion and DXL2.
Light Iron and Panavision Team at NAB 2018
Broadcast Beat shares the speaking and demo schedule for Light Iron and Panavision representatives at this industry-leading conference.
Light Iron Arrives in Atlanta
American Cinematographer covers Light Iron’s Georgia expansion.
Storage Solutions for Post
Post Magazine interviews Light Iron’s VP of Engineering, Jeff Sengpiehl, on the complex storage solutions needed to accommodate feature and episodic clients across six facilities.
Explore 8K with Panavision at SXSW 2018
Pro Video Coalition spotlights “The Beauty of 8K Large Format” at SXSW 2018, presented by Light Iron New York’s Senior Colorist Sean Dunckley and Panavision’s Dan Sasaki and Aaron Kroger.
HDD First Look: LG OLED TV Cinema House Powered by Dolby
High-Def Digest attends a thought-provoking panel discussion including Light Iron New York’s Supervising Colorist Steven Bodner.
Light Iron Colorist Ian Vertovec on GLOW and Getting a Mid-80s Film Look in HDR
Studio Daily chats with Colorist Ian Vertovec about the art and science behind hit Netflix series GLOW.
Panavision Creates Ecosystem for 8K Camera with New Artiste Lenses and More
No Film School reports on the newest lenses and HDR tools expanding DXL’s ecosystem, including Light Iron’s HDR Village Cart – all unveiled at a special preview held at Light Iron before Cine Gear 2017.
The Technative
British Cinematographer Magazine talks with Michael Cioni about how he got his start, and what it means to be “Technative”.
Quick Chat: Josh Haynie Light Iron’s VP of US Operations
Post Perspective talks with veteran post professional Josh Haynie about his newly created role as VP of U.S. Operations.
Tipping Point: How Recognizing Changes In Content Consumption Will Future Proof Your Content
The PGA’s Produced By magazine asked Michael Cioni to share insights on technical specs that could affect producers’ future business.
Light Iron’s Michael Cioni on the Panavision DXL: “the most advanced digital cinema camera ever made.”
RedShark News examines the camera that broke Cine Gear 2016.
The Panavision Millennium DXL: Light Iron and RED Create a Winning New Look for Large Format Cinematography
ProVideo Coalition uncovers all the details about the Millennium DXL, the groundbreaking creation between Panavision, Light Iron, and Red.
