Patrick Cady, ASC details the procedures he and his collaborators — including Light Iron Supervising Colorist Scott Klein — followed to take Bosch Season 6 from prep through post.
Jeff Cronenweth, ASC employs Panavision’s DXL2 and large-format optics, and reteams with Light Iron supervising colorist Ian Vertovec, to lend a sense of nostalgia to the twilight-lit landscapes of Tales From the Loop.
John Conroy, ISC helps transport Showtime’s horror franchise Penny Dreadful to a new period and location with Penny Dreadful: City of Angels
Panavision and Light Iron help DP Catherine Goldschmidt pioneer a pipeline for Dummy, a made-for-mobile production requiring both 16:9 and 9:16 framing.
The coming-of-age story, YES, GOD, YES, originally a short film, earned the Panavision and Light Iron “From Prep to Post” award during the 2017 TFI Network.
From the Lumaforge Faster Together stage, Panavision & Light Iron SVP of Innovation Michael Cioni challenges misconceptions about the potential for 8K distribution.